Dipping into the D.C. area
Exhibits
The Textile Museum is
one of my favorite museums: interesting exhibits, great gift shop, and
a nice sculpture/azalea garden out back overlooking parts of the Dupont Circle area.
"The Kimono Inspiration: Art and Art-To-Wear in America" is probably the best
exhibit I've seen there so far. I was smitten by one kimono (more on this
later) even more than any of the "Landscape Kimonos" exhibited at the Museum
of Natural History (below), and I loved those. I had never heard of this
little museum (2320 S Street NW, near Dupont Circle Metro) until I saw a poster
about the exhibition, but it's a pretty cool little place. The exhibit had
traditional and contemporary kimonos, as well as a few paintings and commercial
advertisements of people wearing kimonos over time. Some kimonos were funny; some were
mysterious; some were lovely.
Most of them looked kind of stiff exhibit-wise, though I suppose it was
best to display them in that T-fashion for preservation. I was really glad
to see some with pictures alongside (to show how they look on human bodies).
The one that blew me away was "Koi Kimono" by Tim Harding. It's made with
little scraps of fabric. As you look at the kimono, you see ripples in
water. Just under the ripples, you can see red-gold koi lazily swimming.
They really do appear to be in motion, probably due to the looser scraps
of fabric that almost flutter. I spent about ten minutes just on this piece,
walking around and viewing it from every possible angle. Sadly, this piece
is not in the exhibit book put out by the museum. There was also an interesting video
documentary of kimono artist Katherine Westphal explaining the evolution
of some of her pieces.
I also like their 20th-century "art" quilts exhibit with neat work in perspectives, and
one beautiful one where trees in grass bordered the outside, and the main part was a
bunch of falling leaves, each one of which had a different scene, of fish, shells,
people, animals, and other bits of nature, but the first impression before you
look closely is just a beautiful green-purple-coral abstract. I got my favorite deck
of cards here: 52 quilts, one for each card. Each one takes its card's number or suit
(or both) as its theme. One of the heart cards, for instance, depicted a Aztec sacrifice
(with a heart!).
Corcoran Gallery: Saw a Dale Chihuly exhibit, Seaforms. Chihuly
is an artist who works in glass. The huge "seashell" groups were beautiful,
glowing eerily under the lights, with patterns refracted through them onto
the walls. Some were jagged oyster-like clusterings, whereas others were
smooth and curving, with tiny shells clustered inside. Most of them lost
some of their effect upon close approach, sort of like impressionist paintings.
They also had an interesting video, showing Chihuly and cohorts glassblowing,
molding, sculpting, and otherwise shaping the glass for an exhibit a few
years ago.
Natural History Musuem (Smithsonian, on the Mall): There's
a good cafeteria in this building, if not as neat as the underground one in the National
Gallery (the one with a nice sort of waterfall, between the East and West buildings).
In addition, their new IMAX theater here shows nature flicks like big
elephants on the march and so on. I saw a beautiful exhibit here,
"Landscape Kimonos" by a modern Japanese textile artist who's reinvented
(with a few modern touches) a 400-year-old art of dying, texturing and
painting silk to create beautiful works of art in the form of kimonos.
Some of his pieces were standalone (some abstract, several representational
of Mount Fuji), but there was one wonderful 30-piece exhibit that, as you
slowly walked among them, showed a mountain range changing from fall to
winter.
Freer/Sackler Museums (Smithsonian, on the Mall, connected underground): I've seen
several interesting exhibits here. Also, the permanent collection of beautiful Japanese
ceramics on the lowest floor includes a riveting piece I've returned to again and again,
a white bowl with faintly blue-glazed grooves that swirled and opened out to space.
- My favorite was "Painted Prayers": It's traditional in some parts of India
for women to create images to welcome Lakshmi (goddess of prosperity, health,
and fertility). The Southeast Asian arts curator Vidya Dehejia comments,
"She's Lady Luck. She's fickle. You have to court her to get her to come
in." The images can be made of paint, flowers, or colored powder (or peel-off
designs for professionals), and go on the house walls or the ground outside
the door, depending on locale. The images are usually transitory: painted
over or blown away. The tradition is primarily Hindu but is also practiced
by Jains, Muslims and Christians. I saw some beautiful photos: some abstract
and geometrical, some symbolic of lotus blossoms, peacocks, and other Lakshmi-related
iconography. Hindu prayer on the wall by the exhibition exit: "Thou art
everywhere, but I worship thee here; Thou art without form, but I worship
thee in these forms; Thou needest no praise, yet I offer these prayers
and salutations."
- Gardens of the Imagination", about garden themes in Chinese painting (3 different
poets from around 300-800 AD are celebrated for turning down government jobs
to avoid corruption and cultivating their gardens (influence on
Voltaire/Candide?) instead, and so gardens have had this association with
nobility of spirit etc. there for a long time).
- The Goyo prints (whose subtlety was unrevealed in the newspaper photos
S. Dillon Ripley Center (International Gallery): This is a little round building
with a gallery underneath and paths into the lower levels of the Freer/Sackler. As
with the Freer and Sackler, part of the joy of this space is the architecture before you
even get to the exhibits themselves. Beautiful materials, the use of light, geometrical
bays leading nowhere contrasted with trick-the-eye murals. The coolest exhibit I've
seen here was on Lalique's jewelry.
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